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It's not like she was suffering for the majority of the film, because she wasn't. Her 'peace' is literally just her going to heaven and ascending passed her corporeal form. Her family suffers for less than 30 minutes before they go into detective mode, and when she starts communicating with them it's like therapy that immediately makes everybody happier. She can't move on from the joyous astral plane she lives on, but the movie shows her thoroughly enjoying her time there, and also shows that she is interacting with her family in peaceful, happy ways. She ran through the streets completely unaware of the fact that she'd been killed. That lack of context, and the lack of character depth, just made it feel like a farce to me. He really should have gone back to that tone a bit more and tried to show the romanticism in death without turning it into a happy wonderland. Remember Heavenly Creatures, which was his first foray into drama? That movie is a fucking masterpiece.

It's like she literally forgets that she was murdered. Like, present the moments of her dancing through the snow as a way of her trying to mask her pain or get over her trauma, or something like that. It just needed more balance with the tone I think. I guess my issue is that she isn't depicted as suffering in her death, and seems to get over it very quickly. They were self-indulgent and even pretty excessive, but they did make it seem like death wasn't just a horrible, endless, yawning void. Honestly, if the film had built up to those fantastical moments properly, I would have liked it. That's really what the movie feels like to me.

Sure, you miss your friends, but your fellow fatalities come dancing to greet you in a meadow of wildflowers, and how cool is that? You can get together in heaven with the other teenage victims of the same killer, and gaze down in benevolence upon your family members as they mourn you and realize what a wonderful person you were.

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'The Lovely Bones' is a deplorable film with this message: If you're a 14-year-old girl who has been brutally raped and murdered by a serial killer, you have a lot to look forward to. Then I read Ebert's review and everything he said immediately resonated with me. Like, I saw the movie on Starz/Encore a couple of days ago, and was just immediately struck by how loftily it treats death. It's almost like the movie presents Stanley Tucci as the hero.Д®bert wrote a review about the movie that I wholeheartedly agree with. The entire second half of the movie is them investigating clues, and dancing all happy-like with Susan Sarandon. Except, no, they get over that about 30 minutes after she dies. She even gets mad at him for some reason, and the only thing I can think of is that her family is sad that she's dead. I'm not really sure why, because it seems like all of his victims are way happier after being killed by him. Her death was painless, she gets over being dead almost immediately, she can still talk with her family after dying, and she even helps them solve her murder. She's transported to a fantastic land with other victims of Stanley Tucci, and seems much happier in death than in life. If not, then I pity you for not being able to look past the CGI blunders & see a really emotional film.I don't think this is spoiling anything because it's 10 years old and the main character dies like 20 minutes in, but it seems to me like the movie just treats her death like it's not really a big deal.

If you really make the effort to delve into this film, you will come out with a tear in your eye. I believe that when the nay-sayers saw the level of CGI they lost interest & forgot what this film can really offer you at its core - tension, heartbreak, thrills & joy. Rachel Weisz, Mark Wahlberg, Susan Sarandon & of course Stanley Tucci (one of the finest supporting actors in modern times) are all convincing here too. She has been robbed of a nomination for a truly Oscar-worthy performance. I have yet to see such a gifted piece of acting from such a young actress since Natalie Portman in LГ©on. Saoirse Ronan (from my homeland - Ireland) is a revelation as Susie Salmon. Firstly the acting is absolutely superb with fine performances all round. I just saw The Lovely Bones today & having let it set in I thought it was a tremendous film!!! OK, I'll admit that Peter Jackson tried a little too much to overpower the film with CGI but that does not take anything away from the heart & emotion this film can generate.

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